References from Grant Narrative
APB (American Archive of Public Broadcasting). 2015. Cataloguing Guidelines. July 10. https://docs.google.com/document/d/1-i3p1TvAMcAhqNxCAkvAQ7xUYUpgsMvUcJgP0PJfg2o/edit
AVPS (AVPreserve). 2014. Quantifying the Need: A Survey of Existing Sound Recordings in the United States. http://www.avpreserve.com/wp-content/uploads/2015/05/QuantifyingTheNeed.pdf
Casey, Mike. Media Preservation Survey: A Report. Indiana University Bloomington. http://www.indiana.edu/~medpres/documents/iub_media_preservation_survey_FINALwww.pdf
———, and Bruce Gordon. 2007. Sound Directions: Best Practices for Audio Preservation. Trustees of Indiana University and President and Fellows of Harvard University. http://www.dlib.indiana.edu/projects/sounddirections/papersPresent/sd_bp_07.pdf
CLIR (Council on Library and Information Resources) and LoC (Library of Congress). 2010. The State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age. http://www.clir.org/pubs/reports/reports/pub148/pub148.pdf
Gwamna, Bitrus Paul. 1992. “Multicultural programming as a strategy in public diplomacy: Leo Sarkisian and the Voice of America’s “Music Time in Africa.” Ph.D. Thesis, Ohio University.
Heil, Alan L. 2003. Voice of America: A History. New York: Columbia University Press.
Hirtle, Peter B. 2015. “Copyright Term and the Public Domain in the United States.” http://copyright.cornell.edu/resources/publicdomain.cfm
———, Hudson, Emily, and Kenyon, Andrew T. 2009. Copyright and Cultural Institutions: Guidelines for Digitization for U.S. Libraries, Archives, and Museums. Ithaka: Cornell University Library.
Kailath, Ryan. 2015. “In a Kenyan Village, a 65-Year-Old Recording Comes Home.” National Public Radio, June 28. http://www.npr.org/2015/06/28/417462792/in-a-kenyan-village-a-65-year-old-recording-comes-home
Klesmith, Elizabeth A. 2014. “Nigeria and Mali: The Case for Repatriation and Protection of Cultural Heritage in Post-Colonial Africa.” Notre Dame Journal of International & Comparative Law: Vol. 4 (1): 47–75.
Kubik, Gerhard. n.d. “Memorandum: Digitizing Project. The Gerhard Kubik/Moya A. Malamusi Private Research Archive Vienna.” Typescript.
IAS (Institute of African Studies). “IAS Audiovisual Archives Overview.” Accessed July 10. http://ias.ug.edu.gh/index.php/64-audiovisual-archives/255-ias-audiovisual-archives-overview
LoC (Library of Congress). 2013. “The 2012 National Recording Registry with a Twist.” http://www.loc.gov/today/pr/2013/13-044.html
Muneza, Jackson. 2014. “Library of Congress Inducts Leo Sarkisian Music Time in Africa recordings into Registry.” https://www.youtube.com/watch?v=xXQcJrbxcG8
Maxwell, Heather. 2012. “Veteran Music Man Leo Sarkisian Says Goodbye.” http://blogs.voanews.com/music-time-in-africa/2012/10/02/voas-veteran-music-man-leo-sarkisian-says-goodbye/
———. 2015. “Music Time in Africa turns 50.” http://blogs.voanews.com/music-time-in-africa/
NDAA (National Defense Authorization Act for the Fiscal Year 2013). 2013. Public Law No: 112-239 §178.
PBCORE (Public Broadcasting Metadata Dictionary Project). 2011. “WHYY’s Fresh Air Archives, WHYY.” February 1. http://pbcore.org/case-studies/whyy%E2%80%99s-fresh-air-archives-whyy/
———. 2015. “Seminar Recap: What is PBCore and why should I use PBCore?” June 16. http://pbcore.org/uncategorized/webinar-recap-what-is-pbcore-and-why-should-i-use-pbcore/?utm_source=rss&utm_medium=rss&utm_campaign=webinar-recap-what-is-pbcore-and-why-should-i-use-pbcore
Sarkisian, Mary, and Leo Sarkisian. 2012. “‘The Last Three Feet’: Life and Travels of Mary & Leo Sarkisian.” Typescript.
Thram, Diane, ed. 2010. For Future Generations: Hugh Tracey and the International Library of African Music. Grahamstown, South Africa: International Library of African Music.